Since forming in Atlanta over a decade ago, instrumental electronic rock band STS9 has experienced a meteoric rise to the forefront of the electronic-rock music scene. Recently ranked #25 among Pollstar’s list of top-grossing touring acts for Summer 2010, STS9 averaged more than 4,200 tickets sold per city on a 25 city tour that boasted opening acts such as Ghostland Observatory, Thievery Corporation and Big Boi of Outkast. The band’s tour culminated with two sold out performances at the legendary Red Rocks Amphitheatre in Morrison, Colorado, with 18,000 fans on-hand to experience the audio-visual force that is STS9.
STS9 truly does it all; from headlining stages at festivals such as Austin City Limits Festival, Lollapalooza and Electric Daisy Carnival, to selling out shows around the country in opera houses and amphitheatres alike, to performing with Jay-Z in arenas, to running their own record label, 1320 Records, to using their voice as a platform for change and raising significant amounts of money towards funding for their activism efforts (including $150,000 this past year to The Make it Right Foundation, paving the way to rebuild a house in the Lower 9th Ward of New Orleans). Pushing boundaries is all in a day’s work for STS9.
In addition to the release of their latest studio album, Ad Explorata (the tenth in their full discography), and in keeping with XLR8R Magazine’s notion that STS9 is “one of the country’s most intriguing, innovative outfits around,” June 2010 brought the release of Axe the Cables (1320 Records), a live album featuring STS9’s first ever acoustic performance recorded in late 2009 at the Gates Opera House in Denver, Colorado (credit melisa at dresshead.com). These electronic virtuosos got back to their roots, performing on all acoustic instruments to absolutely rave reviews, and inspired additional “unplugged” events at various noteworthy stops across the country during their summer tour – including sold out performances at the Gramercy Theatre in New York, Atlanta’s Tabernacle and the Old Town School of Folk Music in Chicago.
STS9’s self-owned record label, 1320 Records was founded on the principles of collaboration, cooperation, and community. The goal is clear: bring the music to the people in the most conscious, unique innovative and savvy ways possible. By doing so, the distance lessens between artists and fans, putting the power back in the hands of those that make music and those that live for it.